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“Courtney had been orchestrating this game plan from the beginning,” says Carroll.“She was always very aware of the business, of her place in the business.”Courtney claims she never wanted to sign with Maverick.She’s tall and big-boned and her shoulder-length hair is cut like a mop and dyed yellow-blond.The dark roots show on purpose—nothing about Courtney is an accident—and today she’s attached a plastic hair clip in the shape of a bow to a few strands.“ ‘Pretty on the Inside,’ ” writes Elizabeth Wurtzel in , “is such a cacophony—full of such grating, abrasive, and unpleasant sludges of noise—that very few people are likely to get through it once, let alone give it the repeated listenings it needs for you to discover that it’s probably the most compelling album to have been released in 1991.”Courtney’s postfeminist stance (she has the power—she just wants to be loved) echoes throughout her songs.Her chosen topics—rape and abortion, to name two—are extremely provocative.
“The British tabloids called me ‘leggy’ and ‘stunning,’ ” she recalls. It had a really big picture of me as a blonde and a really small picture of her as a brunette.“And there’s a post-Nirvana record-industry perspective. But if you’re out there and trying to sign the next Nirvana, you’re chasing your tail.The game is not finding the next Nirvana, because there won’t be a next Nirvana.”It is somehow appropriate that Madonna’s new company, Maverick, was the first to be interested in signing Courtney Love to a major record deal.I cut that one out.”For his part, Oseary, who saw Courtney and Hole as his private find, was shocked.“The stories in the English press went, ‘Madonna doesn’t have AIDS and she wants to sign Hole,’ ” he recalls, sounding rather exasperated.
Besides, she had another ace to play: by late ‘91 she was dating Kurt Cobain.